The first April panel is finished. This a typical bucolic subject, beloved of the resaurants we are supplying.

The panel is MDF as usual and around 1.6 metres wide.
It took just over 10 hours to do, although it has yet to be varnished.

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It was entirely executed with the studio door wide open this time, spring is really giving me a push now and this morning I've already started the next panel.
We've started our musical endeavours again - just three of us. We've clubbed together and bought some PA kit so we can make a reasonable amount of noise if anyone asks us to play for them (Amplifier/mixer, speaker, microphones) - all we need now is some practic! We're down to 2 guitars, the occasional keyboard use and a singer but i'm attempting to make some 'backing tracks (via 'Garageband on the Apple Mac) to give us a bit more 'body'. Tomorrow evening I'll be attending a meeting to help organise a music festival in June at a nearby village so we may have a gig....
We'll see.
Busy, busy............

Mike


Today is good-to-be-alive day

The weather is perfect. I'll start two new restaurant panels tomorrow with the studio doors fully open for the first time. 
Meanwhile:
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Today's lunch in the garden.. 

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..surrounded by Spring..

 

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..with winter now a distant memory.
Those are the Auvergne mountains with their shrinking fleece.
Wonderful!


Another UK trip(up). The politics of despair and the despair of politics.

Just got back from a week in the Old Country. Frankly, very depressing.  Used Flybe (Limoges - Southampton) for a change as we thought it would be a bit cheaper overall but the whole thing was a trial (security, extra baggage payments, inconvenience of not being able to carry extra stuff), so won't fly again in a hurry. Car much more convenient and doesn't cost much more overall.
Weather was awful and politics worse. The anodyne "debate" between the three putative Chancellors-to-be was pretty pathetic.  I found myself aligned with Simon Jenkins - have a look at this:

And then there was the nonsense in the UK media over the possibility of a 'huing parliament'. The Guardian tried to sum this up:

What a farce! What a muddle. Look at this quote:

"The head of the civil service, Sir Gus O'Donnell, updated a manual today which sets out how the key players are expected to act if no party can instantly form a government.

In one of a number of precautionary steps, it has been agreed that parliament should not meet to decide if a government can be formed for as long as 18 days after polling day.

The extension to the period is to give the political parties extra leeway to create a government commanding the support of the Commons.

After the 18 days the Tories could then table an immediate motion of no confidence.

The manual is designed to protect the Queen from being asked prematurely to invite someone to form a government, or to prevent a constitutional impasse causing a panic in the financial markets at a time when the UK's triple-A credit rating is under threat .

O'Donnell is due to meet with other senior civil servants in New Zealand shortly to discuss how they have handled hung parliaments."

Is this the way to run a country?
"..it makes yer want ter eat yer young..." (Someone said this, I think)


Blog Standard

Ironically, the reason I haven't blogged in "The Xaintrie Blog" since January is because I've gone Facebook, Twitter then 'Posterous' new blog (for our Art group here) since then. It's time I consolidated all this verbal thrashing about...
Facebook I dislike - messy interface, only good for checking up on activities of other family members and friends who use it but I don't join in very often.
I'm a fan of Twitter though. I like its simplicity and the fact that one can find a group of tweeters who have similar interests to your own, then 'follow' them. More often than not, they will start to follow you and as long as you don't let the list become too long (I follow around 35 artists - nearly all of them follow me) then you can keep up with their tweets. Web links can be inserted in the short texts (tweets are only 140 characters long) and a twin site called 'Twitpic' can allow you to publish a picture. No more complexity necessary. I have added one or two others to follow out of curiosity, and mostly 'unfollowed' them pretty quickly therafter as there is a lot rubbish out there. One enduring outsider for me however is Stephen Fry - always entertaining and full of fascinating outside web-references.
Posterous is now my favourite for actually creating the blogs, simply because all you have to do is write an email. As soon as you send it to them via your Posterous postbox, they manage the whole thing and it appears as a blog within minutes. I'm doing this right now, writing this email which will be published immediately I finish - to the Xaintrie Blog and to "Michaels Posterous" (http://mapmaker.posterous.com/). I've set it to automatically write a Twitter entry also.  I write separate emails to our artgroup blog which is called 'The CA3 Newsblog' (http://ca3.posterous.com/). 

Xaintrie news: Winter seems to have ended at last. I'm no longer lighting the fire after breakfast - last year this event took place a couple of weeks earlier. This year the cold was not too intense but lasted much longer than previous years. No rain to speak of though.
The fishing season started last week but I've resisted a cold wade into our lovely Maronne thus far. The fishing experts tell us the trout are still dozing on the river bed as the water is still too cold. I dipped a thermometer into it last week and registered 6 degrees C. Since then the weather has become very warm and spring is twittering everywhere (pun might have been intended - not sure).
We've decided to grow some veg this year so I've cut a chink out of the lawn (only around 4 square metres at the moment) which will become a raised 'potager'. A friend nearby says he has a pile of good soil we can have so that's the next task.
Sun is shining, temperature's rising. I'm off - outside to get some...

It's been a while, but I feel like a blog; Resolutions versus Aspirations

A pleasant Christmas came and went while I wasn't looking.  The New Year celebration was enjoyed with friends yet now, after only a week or so, it too has shrunk into a slightly blurred experience like a recent dream, more a fading feeling than memory.  Is this a sympton of old(ish) age?

The months ahead are already filling with projects and promises however. I feel enlivened by the prospects, despite the cold, grey-and-white weather. As for 'Resolutions', I want to 'do' more art  -painting and drawing.  Fleur and I are booked for a two-person exhibition in the early summer in Tulle so this means more thought and planning than usual and definitely more work. It's some time ahead but I know how time will out-run me as usual.
Xaintrie is under snow at present but we're not overly inconvenienced. I'm still not sure how the main roads can be simply wet rather than icy when the temperature is well below freezing. I know the local councils spread salt but there never seems to be ony 'grit' as in the UK. Do the French use only salt - I don't know.
I do know though that it's too miserable to go out at the moment and as it's Sunday and the log fire is blazing away (I blogged on the subject of wood as a heating fuel in the 'Xaintrie Blog' in November 2008), I'll do some more painting. Trouble is, my bedroom-studio is in the roof-space and poorly insulated. There's a limit to how long one can work in temperatures of around 14 centigrade (as it is at present). Ironically, it's over 20 in the lounge, below this room. I can get the studio up to 15 or 16 on a day like this (it's -3, that's minus three outside at present).
So - that's another project for this year; insulate this room. Tricky though, 'cos I want to keep the splendid beams and roof trusses visible. Here I am, thinking about doing some work on this rather oversize portrait. Why so big? Don't ask, as I don't know.

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Happy New Year

Wonderful places, Wonderful names: A visit to Squividan and the paintings of Emile Simon and Madeleine Fié-Fieux (pronounce "Fee-ay-Fee-uh")

An extraordinary pair of Bretonne painters - pretty-well unknown as they had no need to sell their art and simply kept it at home at Squividan. When Madeleine died in 1995 at the age of 98, she bequeathed everything to the département of Finistère.
This summer, 2009, some of the works were put on show to the public in a small gallery attached to the manor house for the first time.
If you can read French, here is a reference:

Here's a summaryof their biographies (I haven't found one in English yet so the translation is mine):

Emile Simon and Madeleine Fié-Fieux lived and painted together in and around their home at Squividan in the commune of Clohars-Fouesnant, Finistère. They were attracted by the local countryside, architecture, traditional costumes and customs and recorded these in oil-paint.
Eventually, over 1500 works were amassed at the manor and left to the département, i.e. the nation and the world at large.
In 2009 the manor was openend to the public for the first time.
Emile Simon was born at Rennes, 28 February 1890 to a 'modest' family - father a printer and mother, dressmaker. He  obtained a school diploma in Beaux-Arts and a bursary to study art in Paris in 1908. He further obtained the 'Prix du concours de Rome' (prize, enabling him to travel and study in Rome) but was persuaded to give up his place to an older pupil, hoping to go the following year. However, in 1913 he appeared to have gained a post as a professer in Cairo, only to be clalled-up (mobilised) at the beginning of WW1 so went back to France.
Incredibly, he was unfortunate to be taken gravely ill with the notorious 'Spanish 'flu' in 1917 and was invalided out of the army. Back at the family home in Rennes, he found manual work in order to support his family.
In 1921 we find him again as a professor of art in Nantes at which time he lost his left eye in a motoring accident. He married later that decade but in 1930, was already a widower and living with his mother at Nantes.
Several notable paintings and by him are recorded in the 1930s.
WW2 commenced and in 1943 moved to Quimper with a married couple, Philippe and Madeleine Fié-Fieux, to avoid bombardments. Philippe was a wealthy dental surgeon. By 1945 Emile had obtained the post of Director of the school of fine arts at Nantes and in 1947 they all moved in to the Manor Squividan.
At some time a little later it appears that Madeleine became a widow. Emile and Madeleine stayed togrther at Squividan for the next 30 years, painting all the while. Their relationship during this time is not totally clear. Emile Simon died in 1976, painting with his left hand for the last 4 years of his life, having suffered a stroke in 1972.

In fact, Madeleine was his pupil back in Nantes, possibly before the commencement of WW2.  Born in 1897, she came from a wealthy family and was a gifted potraitist.  After Emile died, she took it upon herself to conserve his works, continued to paint, and died in 1995, leaving everything to the Conseil général, Finistère.

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This is the manor where they lived and painted for 30 years.

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One of Emile's paintings of Madeleine - painting.

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Lovely light.

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Superb technique.

We stumbled across all this last Friday. A small gallery with 30 or so works is now open and in 3 years' time the manor itself will have been renovated, open to the public and many more of their works will be available.
His works are incredibly attractive, nearly always done outside 'on the spot' and apparently, never reworked. Beautifully cleaned and restored, for me they are of among some the most inspiring and emotive works I have ever seen.